Monday, July 30, 2012

People’s Review XII: Hall Pass

Let it now be said that the People’s Critic is serious all the time. Occasionally a film for comedy comes into the Commissar’s desk. The film “Hall Pass” would have been a humorous film were it not for the thinly veiled capitalist plot to undermine the proletariat throughout the film. The People’s Critic’s stern face throughout the film told volumes.

The film is set in the bourgeois paradise called Rhode Island. In this soulless capitalist society, men are beaten into submission by their capitalist overlords called “wives”. The hard working men of the proletariat are forced to toil in endless torment. Their dreams are crushed. Enter what on the surface seems like a golden ticket from the masters, the hall pass. Freedom is granted to the oppressed for one week, at which point they are to re-enter into servitude. The obvious flaw in this plan is that slaves who taste freedom do not wish to give it up so freely.

We soon learn that the hapless heroes of the proletariat are so indoctrinated into their servitude that they are utterly clueless as to what to do with their freedom. They start off by going to places for the consumption of food in order to explore their freedom, but are quickly beaten into submission by steak. They then attempt to visit places for entertainment and sporting, but are also defeated by capitalism lure of hallucinogenic intoxicants. Meanwhile, their capitalist overlords are enjoying the lap of luxury in the capitalist Mecca of Cape Cod.

The next day, in an effort to get over their capitalist indoctrination, they imbibe alcohol at a local watering hole and attempt to chat up women. They fail heavily as their indoctrination proves too powerful for the liquid courage. They fail so thoroughly, that they end up spending the fourth day recovering from their injuries, both physical and mental. On day five, Rick gets some success but flaunting his experience against a more inexperienced male at a local caffeine bar. Pressing his luck, he follows the female to the local gym. While stalking her, he manages to fall asleep to humorous ends. While this is occurring, Fred attempts to get a special message at an Asian massage parlor, but he is revealed to a mixed group of bourgeois and proletariat, causing much embarrassment.

On the final day, an aged member of the proletariat arrives to guide the protagonists of our story. Taking them to a social setting, he guides them on strategy and technique for defeating the bourgeois female. Fred takes off with a female, while Rick brings the target of his stalking to the wise sage’s after- party. Rick is able to get nearly to his goal, but the brainwashing indoctrination by his capitalist overlord prevented him from enjoying his freedom. Fred runs into some difficulties with female one, but has a second female dropped into his lap. As he is seizing the moment for the worldwide worker, Fred interrupts them with harsh news. The capitalist overlords have been engaging in illicit activity, resulting in a casualty. Shocked, they fight their way past a lesser bourgeois brandishing a firearm.

Sneaking through the enemy lines of Cape Cod, they are able to successfully evade enemy fire and reach the hospital and cottage to find comfort in the embrace of their overlords. Having successfully demonstrated the power of their indoctrination, the capitalist express their narcissistic satisfaction with themselves. The proletariat returns to toiling in servitude and the capitalist agenda comes full circle. The People’s Critic was not entertained by the shameless self-promotion by the capitalist sponsors of this film. This was a thinly veiled capitalist plot to encourage blind servitude by the proletariat.

Tuesday, July 24, 2012

The People’s Review XI: Batman Begins

In anticipation of the big movie of the week, the People’s Critic took a few hours to sit down and review how it all started. The film follows the childhood and training of young arch-capitalist Bruce Wayne into a weapon for the people to strike back against capitalism and his transformation into a Fascist demagogue.

We start off with young Bruce Wayne, lost after his capitalist childhood left him arrogant and weak in the face of a poor member of the proletariat trying to make a living mugging capitalists.  After he is denied the revenge he hoped to find, he journeys the world causing mischief.  He is approached by a mysterious Jedi, who gives him a vague task in order to get the training he needs to fight injustice. After easily completing the quest, he starts his training.  After an epic training montage, he is tasked with one final test. The test is to execute a man, to show that Bruce is all in on taking the fight to the capitalist pig dogs. He refuses, and attacks his mentors, burning down their hard built home.

Back in Gotham, Bruce sets out to get the bourgeois tools he needs to protect the capitalist and get more members of the proletariat put behind bars.  He quickly becomes a feared figure in Gotham’s hard working criminal underground as he embarks on a campaign of terrorism.  Their elected commissar, Falcone, is beaten to a pulp and left for dead.  The police of Gotham, tasked with protecting the people, are shocked and outraged by this new outlaw.

Batman’s success is short lived as a new threat emerges. The master of Arkum Asylum is working with a mysterious overlord to cause mayhem in Gotham. Batman quickly terrorizes the poor narrows community, nearly killing King Joffrey, and drives the proletariat populace mad as he destroys half the town in his mission to save his girlfriend.  Bruce soon realizes his old masters have returned with a new plan to destroy his capitalist paradise.  

In a blistering sneak attack, the burn down Wayne manor and make off to execute their plan.  Batman is left to hurry after them, causing wanton destruction.  After another round of terrifying the proletariat with his terroristic activities, Batman flies off to kill the champions of the proletariat.  With the help of the corrupt cop, Sgt. Gordon, Batman is able to rain death upon the proletariat.  After killing the Jedi, Batman stands alone, a symbol of fear to the proletariat.  They will tremble as he approaches, knowing that any enemy of the Fascists Capitalist state can expect brutal corporal punishment without any form of judicial review.  Batman is the judge, jury, and executioner of his vigilante justice.

Tuesday, July 17, 2012

The People’s Review X: The Room

The people’s critic appreciates a good drama. This film has it all: Relationships, battles with drug use and gangs, pregnancy, cheating, cancer, suicide and Tommy Wiseau. Yet the film is poisoned by a thinly veiled attempt at capitalist propaganda. The result is what is termed a black comedy.

The film centers on the relationship between Johnny and Lisa. Johnny is a hard working member of the proletariat. He supports his friends in every way imaginable through his tireless work. His bourgeois girlfriend lives a life of luxury on the fruits of his labor. She proceeds to complete a cruel plan of events for Johnny. It all starts with Johnny’s best friend, Mark. As Mark is want to tell, he is Johnny’s best friend, but Lisa looks really good in a red dress. Mark is powerless to resist the bourgeois silver tongue. Lisa then gets Johnny inebriated with alcohol and after he passes out, makes allegations of abuse to discredit Johnny. He is quite torn up about it.

Meanwhile, Denny is a young man that Johnny has scooped up off the streets to take care of and turn into a fine member of the proletariat. Unfortunately, Chris R is a menacing capitalist drug dealer. Chris R manages to get Denny in debt to him, thereby justifying him coming over and pistol whipping Denny for his own gluttonous pleasure. Johnny and his best friend Mark manage to arrive just in time to save Denny and show Chris R the door, never to return. Lisa and her mother are very shocked, and ask what the hell is wrong with you, Denny, but Denny doesn’t know.

Also meanwhile, Lisa’s mother visits to inform her that the results were in, and she definitely has cancer. As unfortunate news as this is, Lisa is capitalist to the core and her narcissism prevents her mother from getting the support she needs. While this is going on, the gang’s psychologist friend Peter tries to guide Mark away only to be rebuffed. After a fall in an ally, it is assumed he gets gangrene and dies, never to be seen again. Peter is clearly another victim of the capitalist health care system.

Lisa’s plotting continues as she tells him that she is pregnant, lifting his spirits. At this peak, Lisa crushes him when Johnny learns that Lisa is cheating when he overhears her talking. At Johnny’s birthday party, tensions reach a climax as Lisa shamelessly flaunts the affair in Johnny’s face as only a cold hearted capitalist could. Johnny attacks his best friend Mark and retreats to his bathroom in shame. Lisa leaves and Johnny listens to his illegal wiretapping operation, confirming his suspicions. With Lisa’s plan complete, Johnny loses control and destroys his apartment before killing himself in despair. Johnny could not cope in this capitalist society any longer.

Ratings:

Capitalist Slant: 6/10 While the arch Capitalist Lisa is successful, her methods are apparently dispicable.

Beauty of Lisa in a red dress: 10/10 Lisa looks great in a red dress.

People's Recommendation: Watch this classic of American black comedy to learn the perils of being a best friend.

Monday, July 9, 2012

People's Review IX: Independence Day

The People's Critic is not blind. The skies over America are filled with mock combat demonstrations in celebration of the Capitalist Imperial dream. In response I shall review Independence Day, a film that is a thinly veiled attempt to stir up populist anger against the hard working proletariat.

The film starts when a group of hard working aliens arrives at the planet earth. They send out large landing craft to scout the planet for ruinous torture of the working masses. Finding that the planet is covered in capitalist greed, they make the logical conclusion that destroying the great monuments to excess and greed, the metropolis, will help start a proletariat revolution. 

The bourgeois react in typical fashion, unleashing their nuclear weapons. The proletariat is prepared for this, and survive unscathed. They respond by sending out their glorious hero's of the people to smite the evil bourgeois attackers. A glorious victory is one as Capitalist forces fall back at every turn.

Meanwhile the evil capitalists regroup in their secret underground bunker at Area 51.  The viewer discovers that the Capitalists have been studying and stealing technology from the alien proletariat for 50 years.  They hatch a plan to infiltrate the proletariat mother ship and destroy it from the inside. Armed with bourgeois weapons and a computer hacker, Will Smith flies them into the heart of the people. The film infuses a bit of humor in here as they commit genocide on a massive scale against the proletariat aliens.

Back on earth, the Capitalists coordinate around the world to attack and destroy the landing craft in an effort to complete their genocide. After the Americans succeed in an overly dramatic victory, the world celebrates the slaughter of the proletariat and the protection of the greedy capitalist lifestyle.

Ratings:

Capitalist Slant: 7/10 While the capitalists take heavy losses, they are protrayed as glorious defenders of laissez-faire economic models dressed up as a defense of all humankind.

 Proletariat Genocide 10/10 As every member of the alien proletariat is massacred. Including the little tentacle babies and mommies.

People's Recommendation: Avoid and denounce for the Capitalist Propaganda that it is!

Monday, July 2, 2012

People’s Review VIII: Abraham Lincoln: Vampire Hunter

This is a film that celebrates one of America’s great heroes for being a mass murderer of fantasy monsters.  Abraham Lincoln was a great champion of the proletariat before the idea of the proletariat was even popularized. The south was constructed on a system of unbridled capitalism in which even human beings were considered mere goods to be bought and sold.  Abraham Lincoln mobilized the forces of his proletariat north in order to invade and crush the capitalist institution of slavery.  For that he is a great hero of all workers. 

This film casts this hero in a far different light. The overarching events of his life are still there, but each detail is glamorized as a life dedicated to destroying vampires. The Vampires are portrayed as titans of capitalism.  Perhaps they make a good point, as all capitalists live off the life-blood of the proletariat.  In this case is it literal. They are cruel and vicious, with no qualms about their decadence.  Even the ostensibly innocent are not off-limits to these bourgeois beasts. 

Enter a young Abraham Lincoln, working as a child laborer to assist his hard working father. Witnessing a gross injustice against his proletariat brother, he leaps into action. For this, his mother is executed in brutally painful fashion by the capitalist pigs. Years later and grown, Abraham returns to get justice for the proletariat. Unfortunately for him, corporations are hard to kill and they soon get the upper hand through an obvious legal loophole in that they are vampires and Abraham is merely human. Fortunately for him, he is saved by a mysterious stranger. 

The stranger takes on Abraham and teaches him the skills he will need to destroy the capitalist vampires. Pretty soon, Abraham is ready to be sent out to begin his righteous mission.  After a rough start, he manages to kill enough vampires to be noticed by the vampire CEO, Adam.  Abraham heads down to the great center of decadence and capitalist extremism, New Orleans, and slaughters large numbers of vampires before escaping.  Having learned about just how pervasive the capitalist problem is, Abraham decides that he can kill more bourgeois with politics than with an ax.

Thus begins a montage scene of Abraham getting old and the capitalists seceding to form their own nation.  Abraham decides to launch his war to eradicate the capitalists corporate state.  The war goes well until the vampires are unleashed in great numbers. The vampires even executed Abraham’s son. Undaunted, he mobilizes the proletariat to confiscate the silver from the northern bourgeois. The vampires, afraid of this threat attempt to stop Abraham by assaulting his train and burning a bridge. Being a great hero of the proletariat Abraham overcomes the vampire threat, driving them from the Americas.  A glorious victory for all workers!

Ratings:

Capitalist Slant: 1/10 Due to the realistic portrayal of capitalist as vampires.

Bourgeois death count 10/10 As the Abraham Lincoln is a ruthless slayer of decadent pig dogs.

People's Recommendation: Celebrate this hero of the worker's paradise!


Tuesday, June 26, 2012

People’s Review VII: Dawn of the Dead (2004)

In the People’s Vault, your Media Commissar dusted off a classic of capitalist propaganda. The zombie movie genre is dominated by films of upper middle class folk running away from the unwashed masses of mindless zombiefolk. This film is no exception.

The film starts off in the idyllic suburban bourgeois community. The decadence is unmistakable. Before you know what is going on, the proletariat is climbing in your window. They are snatching your people up. The sympathetic middle class family is forced to hide their kids, wife and husband as the proletariat is eating everybody up there. Panic stricken, the bourgeois family goes to the one safe haven of capitalist society, the shopping mall.

Unfortunately for our heroes, the mall has also been overrun by the proletariat. After brutally beating a few innocent workers with the help of a few criminally negligent security guards, the capitalists hunker down. Soon, the proletariat mass has them surrounded as the zombies attempt to free the heroes from their capitalist obsessions. Bad news arrives as more survivors arrive at the capitalist haven. The proletariat has overrun the nearby military base. The group descends into wallowing self-pity and romance. After a few more losses, the bourgeois get serious about saving themselves. They prepare a homemade assault vehicle to kill as many of the hard working proletariat protesting for their rights outside as possible. Their plan hits a snag when their gun totting friend runs low on supplies. Their attempt to get him food goes awry and the spoiled teenager in the group goes blood drunk and drives a van into the side of a building. Many lives are sacrificed to save the young capitalist fool.

In a running scene of carnage and gore, improvised bombs are used to decimate the proletariat. The proletariat makes a glorious stand as the capitalist flee to a boat to make their escape. The capitalists’ greed nearly cost them their life as they make the hour long boat ride to a nearby island. Once there in the weakened state, the capitalist are finally defeated by the proletariat mob.

The films depictions as the working class uprising as being fueled by cannibalistic excess and disease belittles the true aim at bringing down the bourgeois capitalist state. The film portrays their ultimate success at over-running the fat lazy bourgeois. Along the way the proletariat is seen as cruel, heartless, and brainless. The bourgeois slant to the film is classically undeniable.

Ratings:

Capitalist Slant: 8/10 While the capitalist state falls, the proletariat are a bunch of mindless zombies.

Proletariat death count 10/10 As the proletariat takes heavy casualties throughout the film.

People's Recommendation: Avoid and denounce for the Capitalist Propaganda that it is!


Monday, June 18, 2012

People’s Review VI: Prometheus

The People’s Critic took a moment from his busy schedule informing the masses on the capitalist threat to review this new film from the creative genius Ridley Scott. The film is set in the not so distant future.  The capitalist state has survived and thrived.  “The Corporation” has the funds and science to send expeditions to far away stars.  And as in most futuristic films, the role of proletariat is mostly taken on my robots. As a prequel to the Alien series, the robot in this film is very human looking.  Though not the capitalists’ intention, it serves to generate empathy for the downtrodden and oppressed robot as he is looked down on by his bourgeois masters. The proletariat also includes a number of human beings who obviously struggle under the thumb of capitalist oppression. Unfortunately for them, “The Corporation” has used them and does nothing to save them from the alien threat.

The steep stratification in this society is emphatically demonstrated in the microcosm of the ship.  The Corporation’s representative is given a luxurious and spacious suite which includes a view screen showing scenes from earth, a bar, and a highly advanced automated medical bay. The bourgeois scientists are given a room with a lounge area.  The rest of the crew is relegated to un-named bunks as they populate the proletariat masses and obviously do not need creature comforts. The decadence of the capitalist pig dog is unashamedly thrown in the faces of the bewildered scientist as they are put on no uncertain terms that they are slaves to the corporate state.

As the exploration of the alien ruins proceeds, the proletariat is sent in to risk their lives to discover the secrets of the facility.  Before long, the proletariat is serving on the front line as an unknown alien and biological threat is unleashed by a greedy and amoral capitalist plot.  These machinations are thinly veiled by their use of the lowly robot to implement the program of reckless scientific probing. When the living “engineer” is found, the ruthless corporate executive is revealed and the veil pulled away.  The “engineer”, awoken after thousands of years, sees through the capitalist plot and immediately springs into action to bring down the corruption that the capitalists have inflicted upon the universe. Unfortunately, the proletariat still on the ship is unaware of this and thwarts the champion of the worker as he attempts to take off.

The hopes of the workers dashed, the bourgeois scientist sets off to eradicate the champions of the worker paradise, which we will assume happens in the sequel.

Ratings:

Capitalist Slant: 4/10 While the corporation is victorious, their ugly brutality is on full display, even if it is primarily shown through the eyes of the bourgeois scientist.

Strength of the Veil: 1/10 as despite what Ridley Scott says, this film is obviously a thinly veiled Alien prequel.  

Monday, June 11, 2012

The People’s Review V: The Star Trek Universe

The People’s Critic has viewed numerous examples from this series of TV shows and films and he has made a ruling. This series’ blatant naivety is only matched by its grievous abuse of the proletariat. This is a world where the bourgeois have dominated society so fully that the proletariat is largely replaced by machines, and where machines do not function they are completely severed from the spacious luxury of the capitalist state. I am of course speaking of the Federation.

Now you might be saying to yourself, how the capitalist can exist in a world without currency? This is what the capitalist want you to think! You see the Federation is depicted as a state completely consisting of bourgeois scientists and explorers. What are not shown are the billions of workers that slave away in the di-lithium mines to support the Utopia that has been constructed. It is on the backs of these downtrodden minions that the cushy lives of those depicted on the show rest.

The Federation is not the only offender on the series. The Ferangi reveal the ravages of capitalism run
amok. They routinely steal and kill in order to increase their profits. The immorality of their corporate
state is too obvious for me to espouse further. The Romulan Empire is run as a fascist state, based on nationalism and the thin veil of democracy. It is their oppression of lesser species that is their downfall in later movies and series, as is the fate of any fascist pig dogs.

The only true champion of the proletariat in the series is the Borg. In this egalitarian paradise is the
last beacon of hope in the cold universe depicted in Star Trek. In this glorious society, the proletariat
is equal in labor and thought. Like any successful proletariat regime, they seek to enlighten others to
their freedom. The Federation, being a beacon of bourgeois ethos, stubbornly resists the inevitable tide of freedom. In the “Voyager” series, they even capture a worker and transform her into a poster child from brainwashing oppression. This is one of the vainest and offensive acts in the entire series!

Ratings:

Capitalist Slant 7/10 as the film depicts capitalism in its many extremes while depicting a perfect worker's paradaise.

  Completeness 15/10 The series covers everything and then some.

People's Recommendation: Watch, but be sure to engage your children in hours of minutia about how Spock would love Bach and Uhura would love Mozart.

Monday, June 4, 2012

The People’s Review IV: The Hunger Games

Let it not be said that the People’s Critic hates all film for the Capitalist Propaganda Machine that they are. Every once in a while a hero of the people makes it into the starring role in a film. The Hunger Games is one such film. While very unoriginal {Battle Royal (2000), Greek Myth of Theseus and the Minotaur}, the Hunger Games does espouse a fine message of Hope for the working class.

 The film is set in the original setting of the post-apocalyptic future. In this case a far off land has conquered the hard working peoples of Districts 1-14. They then seem to be sorted by class, the higher your district number the poorer you are. The people of the Districts are reminded annually of their overlords in the capital by being forced to sacrifice a pair of children to fight to the death for their entertainment. The proletariat of district 12 toil away to scratch out a life and barley struggling to keep alive. Then soldiers from the capital arrive and a pair of children is kidnapped for all to see, broadcast on radio and TV to enforce the symbolism of the event.

The children are then whisked away on a fine train to their nearly certain deaths in the death pits of the capital. They are greeted by a ruling class of bourgeois that spend their entire lives adorning themselves in extravagance while they live off the hard work of the proletariat. The gladiators are then paraded around like meat before the slaughter so that the capitalists may select their favorites to dispense favors to at their whims. Eventually, the children form district 12 are able to band together and fight against their oppressors, spawning a revolution which we can only assume the proletariat wins, but is not shown at the close of the film. The proletariat rejoices.

Ratings:

Capitalist Slant 1/10 as the film depicts capitalism for the empty and corrupt system that it is.

Glory 10/10 due to the true depictions as the proletariat worker as the glorious liberators they are.

People's Recommendation: Petition the schools to adopt this fine film as an example for the young to enjoy!

Tuesday, May 29, 2012

The People’s Review III: Blade Runner

The People’s Critic was going through the Media Directorate’s collection of entertainment samples and found this classic of capitalist propaganda. Back in the 80’s, the US was full throttle on capitalism and crushing the workers’ spirit. And this film reflects many of those key themes of American culture.

The film is set in a futuristic version of the typical American City. The streets are covered in garbage and lust, while the wealthy live in great towers of oppression. The proletariat has a hero in this tale in the form of the synthetic men. These are the ultimate creation of capitalism. The proletariat has the potential to destroy the bourgeois if they wanted to, so the capitalists created a completely obedient sub-race of mechanic beings. The capitalist now has the perfect worker to replace the troublesome human being with their needs for food and oxygen and sleep. Unfortunately for the lords of industry, their creations had eyes to see and ears to hear. They saw that they were oppressed even worse than the human worker, and revolted.

The story follows an agent of the Corporate State, Deckard, as he tracks down these mechanical men as they attempt to hide out as real human beings. He then proceeds to systematically execute them all in a thrilling capitalist wet dream. An interesting moral dilemma arises in the form of the synthetic who thinks she is human. But the viewers of this blog all know this is a thinly veiled capitalist plot to make the proletariat dream of corporate riches. The Corporation wins and everybody goes back to being oppressed, happily ever after.

Ratings:
Capitalist Slant 7/10 as the film depicts capitalism for what it is despite the obvious slant.

Brainwashing propaganda 10/10 due to the depictions as the proletariat worker as homicidal maniacs.

People's Recommendation: Avoid and denounce for the Capitalist Propaganda that it is!

Edit: A few readers have commented about how Deckard is implied to be a replicant. This is what the Capitalists want you to think. Do not be fooled by their thinly veiled attempt to confuse the viewer into betraying the proletariat cause!

Monday, May 21, 2012

The Peoples’ Review II: The Avengers

The People’s Critic has heard the proletariat's pleas for a careful dissection of this wildly popular film. The plot of the film is quite simple: evil aliens attack earth and super heroes pulled from far too many prequel movies are called on to defend all mankind. With explosions. But there is a truly insidious under plot that disturbs this Commissar.

The Avengers team is put together by a shadowy organization called S.H.I.E.L.D. led by Director Fury played by Mace Windu. This organization is supported by the “elected” representatives of the workers of the world. Thor’s brother Loki gets the support of an invading army of alien fascists to conquer earth. With Loki’s silver tongue and bribes, he is able to show how loyal bourgeois agents are and turn them to the fascist cause.

As the war between the capitalists and the aliens intensifies, the Avengers struggle as the capitalists try to encourage as much destruction as possible to profit off of the rebuilding of the city. The leaders of the world proletariat bring this up to Mace Windu, but he reveals that he truly is the puppet of the Corporate capitalists, and he ignores their orders. The leaders see the capitalists are losing the war, send in their own hero of the people to eliminate the threat with a devastating attack. With their aid, the bourgeois Avengers are able to claim another victory on the back of the common man. This helps to propagate the oppression of the proletariat under the boot of the Corporatist State.

While pointing out that the corporate elite are helpless without the workers they oppress, the film primarily serves to glorify the Marvel brand and allow the fat cats to glutton on all the oppression they are sneaking on an unaware masses. This capitalist plot is most insidious. With explosions.

Ratings:
Capitalist Slant 10/10 as the film glorifies the Capitalists at every turn.

Brainwashing propaganda 5/10 due to it being fairly obvious as the Capitalists flaunt their power.

People's Recommendation: Avoid and denounce for the Capitalist Propaganda that it is!

Thursday, May 10, 2012

The Peoples' Review I: Lord of the Rings

The Lord of The Rings The Peoples' Critic was talking to some of his comrades when they said how much they liked this series of movies. The Peoples' Critic was horrified, as his comrades had fallen into the Imperialist Capitalists hands! The films start with the Arch-capitalist Gandalf coming into the worker's paradise of The Shire. The good proletariat of the Shire work and play, with no capitalists around to tell them to produce widgets for the fat cats back in Minas Tirith. Gandalf being the sneaky capitalist that he is, convinces the Hobbits that he is their comrade with his products of capitalism. The young hobbit, Frodo, is beguiled by the trickster, and is convinced to lead him and a few of his comrades on a perilous journey in order to deliver some goods that he stole from the poor boy's hard working uncle. Gandalf, like any capitalist, then leaves while the proletariat has to do all the work. The comrades are forced to combat the Fascist Orcs sent by the Nationalist leader Saurumon with nothing but their hands and their tools. They get some aid from members of Gandalf's corporate empire, but it is simply a rouse to keep the comrades off guard. Eventually the comrades reach Mordor.

Mordor may seem like a terrible place, but that is what the Capitalists want you to think. It is in fact a thinly veiled plot to make the viewer think the Mordor is the evil. In fact, under their great commissar, Sauron, the proletariat of Mordor work ceaselessly to defend their worker's paradise from the menacing forces of the Capitalists in Minas Tirith. The proletariat was in fact winning the war against the Capitalist pig dogs, having captured Minis Ithil and Osgilith, liberating the peoples of those cities. So, the arch-capitalist Gandalf conceived a plan to send the comrades from the Shire into the heart of Mordor to start a volcanic eruption that would destroy the worker's paradise that the proletariat had worked so hard to build. After the hobbits realized what they had done, Gandalf sent his Secret police (the great eagles) to snatch them up and take them back to Minas Tirith for re-education.

This thinly veiled capitalist plot may be dressed up in flashy symbolism and a one-sided story, but the Peoples' Critic sees through the plot, and reveals it for the proletariat to see!

 Ratings:

Capitalist Slant 8/10 as the film shows that the bourgeois is weak without the power of the proletariat

Brainwashing propaganda 10/10 rarely have I seen such a one-sided story of deceit and lies

People's Recommendation: Avoid and denounce for the Capitalist Propaganda that it is!

Enter the Peoples' Critic

Welcome my comrades! Has the bourgeois in Hollywood and book publishers been crushing your spirit as you toil away like a good proletarian? Do you see your children looking at movies and TV, and dreaming of all the things the slave masters in power want them to dream of, only to dangle those dreams in front on them as they work harder and harder for less and less? Then the Peoples' Critic is here to help. As a champion of the proletariat, I will reveal the capitalist plots that plague media to brainwash your children! My sharpened eye will identify the fine examples of freedom and equality, and denounce the capitalist pig dogs for their savage oppression. In the workers' paradise, all are equal. And so I ask the people to help me by suggesting works that I should pay special attention to. As your entertainment commissar, I shall work to guide you in your media experiences!